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T W A H R A F T M 3 T C O C S E L F W H C E E E E E T N A D H N D A E D T L E E H E U A S C L H O W H A R I P E P T E E A E Y F R R H E Y W A C A C R A A L E C E R D T T K U E F E O T P T E X A H R M L A E I N M E D W A T E R T K C I R K H F E I W R A E A T L R O O I C A R E E O M R A R S A N I R S D P O O I C N O F A I T E A O S N T H L O N R N T M T M I S O L R S A N E N I H I T U R N O H M E R R H N S M T T R E K F A A G I P S O N T V I S T R Y O 1 G O D S N S D M A A S I S E C A A H I E A N A H T D V L O S V I E E B T E S C 6 H N S P D T S P V N T O T I E L N E A D T O L O I E E E F T O N M S E H R G L 6 T O O L P U O L E F I T P T B S P 1 L U R W L T O S A S I F L N E T T E I R A 0 W R N A E R F I C E V R E A E O E S A R E N C T N I R O T A V O N E W A T E S I A E D Y R N T S O S A A R L C A R T F I W G O I S G C F A M E V T X E T U A S N S D H E F T H H M T L C M I O N F I R N A R M N C N H T L O D A B A E R A T I E T W E D O O E M P I S E A A M I O N I G S E E R A W I H Y U I T 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T R 1 O E Y E E W Y A E D O I A N R E N I C T D C S D T E E T A T D A S S N W E R I 9 F D K M N A W N N P R N N T I N T N A R P O A W H L S O T H H I O O T E O U N T A I N A T R R C A U T T G H G T I T L E U R N H I D T A N E E N N F H R P C T H N N O L U D I I G T H I E E H T A H C L B D D A S R I U O R S M A F E E L T H C C R W E R F G E E U E N S A T H L E E E L I L T P E V D T E H E T O I H E U E E I O N W Y A H N R P P G I R S E D 1 R S I N I D E H A I H W E N E F R E C R 1 N E M A R E M T T I M L G N E B A E 9 E S C G T I R E L E I A D T T F C L O E 8 T N E M I M I S G E O A I U A E T S T M I A T E D I A W N N S O E O O E D U S T U T A E T P L O R A N Y V S O T R I H O N T O R T O R H C G A A X C F R B L I H R G R R E H Y F E N E T E T F W E G C N E I J A H D S A E M N K I O F E Y D N C Y R O I R A A T E D Y H T H D E M N E Y N O O R A K A T S A A N S N B M T I R E H E U C A S U H C A T E O E E E O E N A G N S Y T N L W A K U 1 T T R O H T O N I E N A F I D E E S O C A A S N V R T N L W E F D O 4 A T E D C E E O N E A M T J K D N T Z I 5 Y T B O U T I 1 E S U D A H P I E W 7 S T S I M D M A I S C E U W T W P E E E T Y R A R D R G 5 M O R R N E H G A N 7 T E S E P I P D E A C D R T H H L R F N H V E C S I E N 0 E F Y I D N C U L A M 9 N E N K N O W S W O E Y 2 E E A 1 E C C 5 5 K A E R 5 0 N C D T W W A R W S 7 J T N C 7 R R N P Z M D O 3 A N Y 9 M E E I 8 S H N I S 1 T A 6 U G A M X I 9 9 9 I S E 8 O A Y 9 0 M I O V T 4 L 6 I S N C D H 1 C 3 0 Z Y F J A W S P 1 T 5 9 0 O E A 2 M N 2 Z U O J V 3 R L X 8 A C T 3 C E S E 8 B B 5 W O L L Y B Z H H K J N Z F Y E F K 6 G C M Z R E Z G Z 0 V U I S 4 W H A T W A S O N E O F T H E M O S T F A M O U S F R E N C H T H E A T R E S U Words to find: ALMOSTALLROMANFESTIVALSUSEDWHATINTHEIRCEREMONIES ATTHEEARLYGREEKFESTIVALSWHATPOSITIONSWEREHELDBYTHESA THEFIRSTROMANPERFORMANCEOCCURREDINROMEAROUNDWHEN THEMESANDACCOMPLISHMENTSOFSTILLRESONATETOCONTEMPORA USUALLYTHEPLAYWRIGHTWASTHEOFAPLAYANDHELDREHEARSAL WHAT3CONCERNSARERITUALSRELATEDTOACCORDINGTOJOSEPHCAMPB WHATCONCEPTSPLAYEDONTHEBELIEFTHATNOTHINGMAKESSENSE WHATDIDBRITAINHAVECOMPARABLETOTHEUSSOFFOFFOFFBROADW WHATDIDPERSPECTIVEARCHITECTUREANDPAINTINGGIVETOAUDIENCE WHATDIDSONDHEIMSWORDSBRINGTOAUDIENCESATTENTION WHATDIDTHENEOCLASSICALIDEALDEMANDWHATDIDTHATDEALWITH WHATFORMOFTHEATREDURINGTHELATE19THCENTURYEMPHASIZEFEMI WHATFORMOFTHEATREWASMOREGEAREDTOWARDFAMILYAUDIENCES WHATGODWASTHEFIRSTPERMANENTTHEATRESTRUCTURESINROMEDEDI WHATGREEKGODWASHONOREDWITHANUNUSUALFESTIVALWHATWAST WHATHAPPENEDIN1660INENGLANDWHATWASTHISPERIODKNOWNAS WHATNEWANDEXCITINGDESIGNWASDEVELOPEDFORTHEPLAYTHECORS WHATOTHERKINDSOFTHEATRICALENTERTAINMENTEXISTEDINROME WHATPLAYSWEREEXAMPLESOFTHESTARTLINGCHANGESINUSTHEATRE WHATTHEATRESWEREINVOLVEDINTHEINDEPENDENTTHEATREMOVEMENT WHATTHEATRICALMOVEMENTBEGANINGERMANYINTHE19THCENTURY WHATWASALSOANIMPORTANTPARTOFANCIENTGREEKTHEATRE WHATWASONEOFTHEMOSTFAMOUSFRENCHTHEATRES WHATWASTHEAUDIENCEBECOMINGBYTHELATE19THCENTURY WHATWASTHEFIRSTTHEATRICALLYPRODUCEDPUBLICATIONWHENWAS WHATWEREALLPARTSOFITALYSREPERTOIREINTHEAREAOFDESIGN WHATWERECORPORATIONSCALLEDTHATWOULDPUTUPMONEYTOBACKSH WHATWERETHEITALIANSHERALDEDFORINTHE18THCENTURY WHENITWASTHEACTORSTURNTOSPEAKWHATWOULDHESHEDO WHEREDIDTHEEARLIESTEXAMPLEOFTHEATRICALCEREMONYANDRITUAL WHEREWERECHARIOTRACESHELDHOWMANYPEOPLECOULDITACCOMMO WHOLEADTHEPACKASTHE1STINTERNATIONALLYKNOWNAMERICANPLAY WHOTRAVELEDAROUNDPERFORMINGWHEREVERTHEREWASANAUDIENCEAF WHOWASANINFLUENTIALAFRICANAMERICANFEMALEWRITERAFTER1968 WHOWASONEOFGERMANYSGREATESTPLAYWRIGHTSANDLITERARYFIGUR WHOWASONEOFTHEMOSTFAMOUSFRENCHPLAYWRIGHTSBETWEEN15001 WHOWASONEOFTHEMOSTINNOVATIVEANDINFLUENTIALDESIGNERSOF WHOWASTHEAUTHOROFALLCOMEDIESOFNOTEINANCIENTGREECE WHOWERE3WELLKNOWNGREEKTRAGEDYPLAYWRIGHTSOFTHE5THCENTU WHOWROTECATONAHOTTINROOFTHEGLASSMENAGERIEANDASTRE WHYWERETHEYEARSBETWEEN16421660THEATRELESSINENGLANDW

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